My artistic practice has explored perception for many years: what we see, what we recognise in it—and what we consequently take to be true.
For me, however, perception does not end with the image.
I encounter it in art as much as in design, in language and media, in social developments, in everyday life and, increasingly, in our relationship with technology. Larger questions often become visible through small observations—a sentence, a contradiction or an irritation.
Perspectives is a place for such thoughts.
Not as essays in art theory, and not with the claim to provide definitive answers. What interests me instead is a shift in viewpoint: What changes when we look at something familiar differently? What seems self-evident even though it is not? What do we overlook precisely because we believe we have understood it long ago?
Some of these perspectives will be more extensive; others will consist only of a thought, an observation or a sentence.
They do not always have to address my art directly. But they emerge from the same attitude that gives rise to my work:
a distrust of what appears all too self-evident—and a curiosity about what becomes visible when we look again.